In Full
Bloom

We asked celebrity florist Emily Thompson to design three spring arrangements. Below, her custom bouquets—perfect for re-creating at home

Emily Thompson—the New York City–based florist whose wild, rambling arrangements have decorated the White House and MoMA in addition to countless chic homes—is known for subverting the expected. A classically trained sculptor (she holds an MFA from UCLA), Thompson plays with structure, proportion, and unconventional greenery (think garden shrubs and common weeds) to create one-of-a-kind arrangements that master the line between structural discipline and free-form botany. “What I’m after is to show people how interesting the natural world is, rather than just giving them the satisfaction of a big-headed peony,” she explains.

For the three arrangements seen here, Thompson worked with Ralph Lauren wares—made in collaboration with famed British pottery maker Burleigh and inspired by vintage Americana textiles—but any similarly shaped vessels can be used at home. The key to success is all about proportion. “The expression we use around here is that ‘we want to eat the vase,’” Thompson explains of an approach that sees buds and branches strategically spilling over in novel ways. “In the case of these vessels, which have really beautiful botanical prints, they don’t need to be anonymous, but their character needs to play with the materials,” she says. True to her style, the pieces Thompson selected— a fruit bowl and two pitchers—are ideally equipped to hold combinations made to both catch the eye, and to hold it. “The scale feels really good in the home,” Thompson says. She adds, “If I were to instruct someone trying to work with these materials, I would say that the exaggeration of proportions and restraint of materiality should be the leading concepts when approaching yard clippings, a supermarket stash, or the vast selection that the flower market has to offer.” Below, Thompson breaks down her creations and offers tips for bringing them to life in your own space.

Butterfly Ranunculus and Begonias in a Faded Peony Etruscan Pitcher

“This arrangement uses materials that might feel unusual, but they’re actually very accessible. The butterfly ranunculus have tons of great reddish, brown variations. I’ve paired them with the dark leaves of a velvety begonia—a readily available houseplant. The goal here is to use materials that move away from the traditional and commercial. Visually, it’s all about an exuberant cloud of movement around the vase.”
“This arrangement uses materials that might feel unusual, but they’re actually very accessible. The butterfly ranunculus have tons of great reddish, brown variations. I’ve paired them with the dark leaves of a velvety begonia—a readily available houseplant. The goal here is to use materials that move away from the traditional and commercial. Visually, it’s all about an exuberant cloud of movement around the vase.”
“These are bulbs and flowers that you don’t quite see in the garden, yet at the start of spring they’ll have you looking forward to the season. Restraint and the anticipation of waiting for something that’s out of season is a pleasure. Our arrangements should reflect our landscape. The proportions of these vessels are really easy, and the scale feels great in the home. You can make this arrangement a little bit bigger if you need to, but it’s all very manageable for a kitchen island or on a cabinet.”
“These are bulbs and flowers that you don’t quite see in the garden, yet at the start of spring they’ll have you looking forward to the season. Restraint and the anticipation of waiting for something that’s out of season is a pleasure. Our arrangements should reflect our landscape. The proportions of these vessels are really easy, and the scale feels great in the home. You can make this arrangement a little bit bigger if you need to, but it’s all very manageable for a kitchen island or on a cabinet.”

Epimediums, Leucothoe, and Philodendron in a Garden Vine Tankard Pitcher

“This is a perfect choice if somebody was looking to create an arrangement with a woodland feel. At the heart of this one is epimedium, which is actually a very common garden flower that has beautiful foliage and a short blooming season in the spring. It’s all about the texture and speckling, which is something I come back to again and again. With everything I do, I want people to have to look a little harder than they usually might. This also has Leucothoe—a common shrub that’s very hardy and often overlooked—as well as philodendron, a houseplant that’s super long-lasting in the vase. I’ve tried to transform them from appearing waxy and tropical to something you might discover in a wetland bog.”
“This is a perfect choice if somebody was looking to create an arrangement with a woodland feel. At the heart of this one is epimedium, which is actually a very common garden flower that has beautiful foliage and a short blooming season in the spring. It’s all about the texture and speckling, which is something I come back to again and again. With everything I do, I want people to have to look a little harder than they usually might. This also has Leucothoe—a common shrub that’s very hardy and often overlooked—as well as philodendron, a houseplant that’s super long-lasting in the vase. I’ve tried to transform them from appearing waxy and tropical to something you might discover in a wetland bog.”
“What’s great about this combination is that while some of the flowers might drop, there are buds that are continuing to open. It’s important to feel engaged with an arrangement like this—open to playing around as the flowers change and fall, as opposed to being fearful of messing something up.”
“What’s great about this combination is that while some of the flowers might drop, there are buds that are continuing to open. It’s important to feel engaged with an arrangement like this—open to playing around as the flowers change and fall, as opposed to being fearful of messing something up.”

Flowering Dogwood, Lenten Rose, and Begonia in a Faded Peony Medium Fruit Bowl

“I love to work with branches, and flowering dogwood is one of the most evocative because of their form and the contortions. In this arrangement, they are stuck into a kenzan flower frog, which is a Japanese technique that allows for a lot of air in an arrangement. It can be easily affixed to the bowl with flower gunk—a commercially available adhesive that won’t get dislodged when you add water. The goal is to expose the beautiful inside of the bowl and create the feeling as if you’re almost diving in. I added Lenten rose, which is the first flower up through the snow besides the snowdrop. They’re a five-petal flower but have a direct relationship to the dogwood form, and that repetition is what I was after. The only other materials in there are a few begonia leaves. I’ve mostly put them in the back so it rewards somebody who does come up on this from behind.”
“I love to work with branches, and flowering dogwood is one of the most evocative because of their form and the contortions. In this arrangement, they are stuck into a kenzan flower frog, which is a Japanese technique that allows for a lot of air in an arrangement. It can be easily affixed to the bowl with flower gunk—a commercially available adhesive that won’t get dislodged when you add water. The goal is to expose the beautiful inside of the bowl and create the feeling as if you’re almost diving in. I added Lenten rose, which is the first flower up through the snow besides the snowdrop. They’re a five-petal flower but have a direct relationship to the dogwood form, and that repetition is what I was after. The only other materials in there are a few begonia leaves. I’ve mostly put them in the back so it rewards somebody who does come up on this from behind.”
“This arrangement could function as a centerpiece, reconfigured a bit so it’s lower and doesn’t block any sight lines. It’s a form and scale that could work well on an oversize dining table, a deep-enough mantle piece (it would do well against a mirror), or a kitchen island for a more casual feel. Colorwise, this is not really warm. It’s like a type of acid that signifies the emergence of something you can’t really see yet. The principles of wabi-sabi and things that sometimes show damage are really appealing to me, but to be seen as something with intention behind it, it must be done with extreme precision.”
“This arrangement could function as a centerpiece, reconfigured a bit so it’s lower and doesn’t block any sight lines. It’s a form and scale that could work well on an oversize dining table, a deep-enough mantle piece (it would do well against a mirror), or a kitchen island for a more casual feel. Colorwise, this is not really warm. It’s like a type of acid that signifies the emergence of something you can’t really see yet. The principles of wabi-sabi and things that sometimes show damage are really appealing to me, but to be seen as something with intention behind it, it must be done with extreme precision.”
ANTONINA JEDRZEJCZAK is the editor of RL Mag.
  • Photographs by Deirdre Lewis